TOP 10, The Most Good Looking Movies of 2010

[welcomewiki]

370)this.width=370" alt="A scene from Karthik Calling Karthik">



Director of Photogrpahy: Sanu Varghese
If it's Farhan Akhtar, it's got to look cool and happening. Whether he's behind the lens or facing it, FA aspires to lend a crisp and detailed appearance to hisurban stories. And so whether it's office, mall, home or outdoors, everything's just picture-perfect about this mild thriller.

Image: A scene from Karthik Calling Karthik

[welcomewiki]

370)this.width=370" alt="A scene from Once Upon A Time in Mumbaai">


Director of Photography: Aseem Mishra
Retro in tone and texture, Milan Luthria's OUATIM aims to recreate the dramatichighs and kitschy sentimentality of the 1970s. And because it achieves that gripping, glazed effect without adopting the in-your-face approach of say, Action Replayy, more power to lens man Aseem Mishra.

Image: A scene from Once Upon A Time in Mumbaai

[welcomewiki]

370)this.width=370" alt="I Hate Luv Storys">


Director of Photography: Ayananka Bose
Lovely young folk squabble and smile over matters of the heart while working onan equally rosy reel romance set in up-market Mumbai and breathtaking New Zealand. It's a Karan Johar movie; it's designed to look great. And so DOP Bose seizes the trappings of a pretty, lightweight romance with his luminous lighting to highlight Imran and Sonam's super fresh screen presence.

Image: I Hate Luv Storys

[welcomewiki]

370)this.width=370" alt="Movie poster of Band Baaja Baarat">


Director of Photography: Aseem Mishra
The LED lights probably pinched most of the budget set aside for BBB given the dazzling light-works and splatter of rich colours spend all their screen time lending electric glamour to the numerous wedding celebrations staged within this breezy Yash Raj flick.

Image: Movie poster of Band Baaja Baarat

[welcomewiki]

370)this.width=370" alt="A scene from Tees Maar Khan">


Director of Photography: P S Vinod
If there's one filmmaker who understands showmanship in its traditional most sense it's Farah Khan.
As in her previous works, Tees Maar Khan too bears the sprightly lady's stamp as she splashes the screen with high-contrast colours and larger-than-life ambiance around the chutzpah and charisma of Akshay Kumar's titular hero to contest Katrina's first-of-its-kind oomph.

Image: A scene from Tees Maar Khan