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The 50 Best Movies of the Decade (2000-2009) |
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#6
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Whale Rider (2002)
Director: Niki Caro Writers: Witi Ihimaera (novele), Niki Caro (screenplay) Stars: Keisha Castle-Huges, Rawiri Paratene Studio: Newmarket Films Whale Rider tells the story of a young girl, Paikea, who lives in New Zealand with a stern grandfather who, apparently, needs to get modern. Every scene tells us this and gives us an opportunity to tsk-tsk his staunch rejection of his granddaughter who he believes, despite her lineage, can’t inherit the leadership of this Maori village because of her gender. She’ll need to convince her grandfather she can lead just as well as the boys can, and she’ll need to do it before the end of the movie. But just when you think you have the film pegged, its sincerity manages to break through the thin characterizations and age-old plot. Young actress Keisha Castle-Hughes gives Paikea a richly expressive voice, and the turning point is an astonishingly heart felt speech she delivers at a school program for parents. Castle-Hughes’ grace and beauty on the screen is probably the main reason Whale Rider became a surprise art-house hit. |
#7
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Hotel Rwanda (2004)
Director: Terry George Writers: Keir Pearson, Terry George Stars: Don Cheadle, Sophie Okonedo, Nick Nolte, Joaquin Phoenix Studio: Lions Gate While Hotel Rwanda attempts to document the country’s genocide in 1994, it does so by focusing on the character of Rusesabagina (played by Don Cheadle), who gave refuge to hundreds of fleeing Tutsis. Calling in dozens of favors with his extensive network of contacts, he was able to hold the Hutu extremists (the Interahamwe militia) at bay, until the Tutsi rebels drove the Hutu from power. Cheadle portrays Rusesabagina as an efficient manager who cares deeply about his family and the people in he looks after It’s a gripping film that bears witness to both a historic tragedy and one man’s bravery. “I never thought I was doing something different,” Rusesabagina modestly told Paste just after the film’s release. “I thought I was just acting as a normal hotel manager |
#8
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In America (2004)
Director: Jim Sheridan Writers: Jim, Naomi and Kristen Sheridan Stars: Paddy Considine, Dijmon Hounsou Studio: Fox Searchlight Pictures Approximately one minute of this film is all it takes to fall in love with the two girls in the lead roles (real-life sisters Sarah and Emma Bolger). Four minutes later, you’re in love with the parents (Samantha Morton and Paddy Considine), too. This Irish family is recovering from tragedy by immigrating to the tenements of New York. Their attempts to mend their broken hearts and scarred psyches after the death of their son—with the help of AIDS-stricken Djimon Hounsou, and a new baby—is heartrending, but the wide-eyed candor of the girls and writer-director Jim Sheridan’s sense of humor save it from being maudlin. |
#9
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Director: Kevin Macdonald Writers: Giles Foden (novel), Peter Morgan and Jeremy Brock (screenplay) Stars: Forrest Whitaker, James McAvoy Studio: Fox Searchlight Pictures The brutality of this film is at times difficult to bear, but harder still would be tearing your eyes away from Forrest Whitaker, who is fully inhabited by the charismatic monster Idi Amin. Director Kevin Macdonald pulls us gradually into the world of the Ugandan dictator through Amin’s Scottish personal physician, making for a Faustian seduction with horrific returns. |
#10
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L’Enfant (2006)
Writer/Directors: Jean-Pierre Dardenne, Luc Dardenne Stars: Jérémie Renier, Déborah François Studio: Sony Pictures Classics The Dardenne brothers specialize in poetically ambiguous titles, and in their latest film, it’s the new parents and their cohorts who seem like children. But the Dardennes love them anyway, telling their story in the unvarnished style that’s become their trademark. |